The Tachyon Ray Tracer#
John E. Stone
This documentation, which was written by John Stone, describes how to create scene files.
At the present time, scene description files are very simple. The parser can’t handle multiple file scene descriptions, although they may be added in the future. Most of the objects and their scene description are closely related to the RAY API. (See the API docs for additional info.)
Basic Scene Requirements#
Unlike some other ray tracers out there, RAY requires that you specify most of the scene parameters in the scene description file itself. If users would rather specify some of these parameters at the command line, then I may add that feature in the future. A scene description file contains keywords, and values associated or grouped with a keyword. All keywords can be in caps, lower case, or mixed case for the convenience of the user. File names and texture names are normally case-sensitive, although the behavior for file names is operating system-dependent. All values are either character strings, or floating point numbers. In some cases, the presence of one keyword will require additional keyword / value pairs.
At the moment there are several keywords with values, that must appear
in every scene description file. Every scene description file must begin
BEGIN_SCENE keyword, and end with the
keyword. All definitions and declarations of any kind must be inside the
END_SCENE pair. The
RESOLUTION keyword is
followed by an x resolution and a y resolution in terms of pixels on
each axis. There are currently no limits placed on the resolution of an
output image other than the computer’s available memory and reasonable
execution time. An example of a simple scene description skeleton is
BEGIN_SCENE RESOLUTION 1024 1024 ... ... Camera definition.. ... ... Other objects, etc.. ... END_SCENE
Camera and viewing parameters#
One of the most important parts of any scene, is the camera position and
orientation. Having a good angle on a scene can make the difference
between an average looking scene and a strikingly interesting one. There
may be multiple camera definitions in a scene file, but the last camera
definition overrides all previous definitions. There are several
parameters that control the camera in ,
The first and last keywords required in the definition of a camera are
END_CAMERA keywords. The
is optional, the remaining camera keywords are required, and must be
written in the sequence they are listed in the examples in this section.
Camera projection modes#
PROJECTION keyword must be followed by one of the supported
camera projection mode identifiers
FISHEYE projection mode
requires two extra parameters
precede the regular camera options.
Camera projection perspective_dof focallength 0.75 aperture 0.02 Zoom 0.666667 Aspectratio 1.000000 Antialiasing 128 Raydepth 30 Center 0.000000 0.000000 -2.000000 Viewdir -0.000000 -0.000000 2.000000 Updir 0.000000 1.000000 -0.000000 End_Camera
Common camera parameters#
ZOOM parameter controls the camera in a way similar to a
telephoto lens on a 35mm camera. A zoom value of 1.0 is standard, with a
90 degree field of view. By changing the zoom factor to 2.0, the
relative size of any feature in the frame is twice as big, while the
field of view is decreased slightly. The zoom effect is implemented as a
scaling factor on the height and width of the image plane relative to
ASPECTRATIO parameter controls the aspect ratio of the resulting
image. By using the aspect ratio parameter, one can produce images which
look correct on any screen. Aspect ratio alters the relative width of
the image plane, while keeping the height of the image plane constant.
In general, most workstation displays have an aspect ratio of 1.0. To
see what aspect ratio your display has, you can render a simple sphere,
at a resolution of 512x512 and measure the ratio of its width to its
ANTIALIASING parameter controls the maximum level of
supersampling used to obtain higher image quality. The parameter given
sets the number of additional rays to trace per-pixel to attain higher
RAYDEPTH parameter tells RAY what the maximum level of
reflections, refraction, or in general the maximum recursion depth to
trace rays to. A value between 4 and 12 is usually good. A value of 1
will disable rendering of reflective or transmissive objects (they’ll be
The remaining three camera parameters are the most important, because
they define the coordinate system of the camera, and its position in the
CENTER parameter is an X, Y, Z coordinate defining the
center of the camera (also known as the Center of Projection). Once
you have determined where the camera will be placed in the scene, you
need to tell RAY what the camera should be looking at. The
parameter is a vector indicating the direction the camera is facing. It
may be useful for me to add a “Look At” type keyword in the future to
make camera aiming easier. If people want or need the “Look At” style
camera, let me know. The last parameter needed to completely define a
camera is the “up” direction. The
UPDIR parameter is a vector which
points in the direction of the “sky”. I wrote the camera so that
UPDIR don’t have to be perpendicular, and there
shouldn’t be a need for a “right” vector although some other ray tracers
require it. Here’s a snippet of a camera definition:
CAMERA ZOOM 1.0 ASPECTRATIO 1.0 ANTIALIASING 0 RAYDEPTH 12 CENTER 0.0 0.0 2.0 VIEWDIR 0 0 -1 UPDIR 0 1 0 END_CAMERA
FRUSTUM parameter provides a means for rendering
sub-images in a larger frame, and correct stereoscopic images. The
FRUSTUM keyword must be followed by four floating parameters, which
indicate the top, bottom, left and right coordinates of the image plane
in eye coordinates. When the projection mode is set to
frustum parameters correspond to spherical coordinates specified in
CAMERA ZOOM 1.0 ASPECTRATIO 1.0 ANTIALIASING 0 RAYDEPTH 4 CENTER 0.0 0.0 -6.0 VIEWDIR 0.0 0.0 1.0 UPDIR 0.0 1.0 0.0 FRUSTUM -0.5 0.5 -0.5 0.5 END_CAMERA
INCLUDE keyword is used anywhere after the camera description,
and is immediately followed by a valid filename, for a file containing
additional scene description information. The included file is opened,
and processing continues as if it were part of the current file, until
the end of the included file is reached. Parsing of the current file
continues from where it left off prior to the included file.
Scene File Comments#
# keyword is used anywhere after the camera
description, and will cause RAY to ignore all characters from the
# to the end of the input line. The
character must be surrounded by whitespace in order to be recognized. A
sequence such as
### will not be recognized as a comment.
The most frequently used type of lights provided by RAY are positional
point light sources. The lights are actually small spheres, which are
visible. A point light is composed of three pieces of information, a
center, a radius (since its a sphere), and a color. To define a light,
simply write the
LIGHT keyword, followed by its
CENTER (a X, Y,
Z coordinate), its
RAD (radius, a scalar), and its
COLOR (a Red
Green Blue triple). The radius parameter will accept any value of 0.0 or
greater. Lights of radius 0.0 will not be directly visible in the
rendered scene, but contribute light to the scene normally. For a light,
the color values range from 0.0 to 1.0, any values outside this range
may yield unpredictable results. A simple light definition looks like
LIGHT CENTER 4.0 3.0 2.0 RAD 0.2 COLOR 0.5 0.5 0.5
This light would be gray colored if seen directly, and would be 50% intensity in each RGB color component.
RAY supports simple directional lighting, commonly used in CAD and scientific visualization programs for its performance advantages over positional lights. Directional lights cannot be seen directly in scenes rendered by , only their illumination contributes to the final image.
DIRECTIONAL_LIGHT DIRECTION 0.0 -1.0 0.0 COLOR 1.0 0.0 0.0
RAY supports spotlights, which are described very similarly to a point light, but they are attenuated by angle from the direction vector, based on a “falloff start” angle and “falloff end”angle. Between the starting and ending angles, the illumination is attenuated linearly. The syntax for a spotlight description in a scene file is as follows.
SPOTLIGHT CENTER 0.0 3.0 17.0 RAD 0.2 DIRECTION 0.0 -1.0 0.0 FALLOFF_START 20.0 FALLOFF_END 45.0 COLOR 1.0 0.0 0.0
The lighting system implemented by RAY provides various levels of distance-based lighting attenuation. By default, a light is not attenuated by distance. If the attenuation keywords is present immediately prior to the light’s color, RAY will accept coefficients which are used to calculate distance-based attenuation, which is applied the light by multiplying with the resulting value. The attenuation factor is calculated from the equation
This attenuation equation should be familiar to some as it is the same lighting attenuation equation used by OpenGL. The constant, linear, and quadratic terms are specified in a scene file as shown in the following example.
LIGHT CENTER -5.0 0.0 10.0 RAD 1.0 ATTENUATION CONSTANT 1.0 LINEAR 0.2 QUADRATIC 0.05 COLOR 1.0 0.0 0.0
RAY currently only implements one atmospheric effect, simple distance-based fog.
RAY provides a simple distance-based fog effect intended to provide functionality similar to that found in OpenGL, for compatibility with software that requires an OpenGL-like fog implementation. Much like OpenGL, RAY provides linear, exponential, and exponential-squared fog.
FOG LINEAR START 0.0 END 50.0 DENSITY 1.0 COLOR 1.0 1.0 1.0
FOG EXP START 0.0 END 50.0 DENSITY 1.0 COLOR 1.0 1.0 1.0
FOG EXP2 START 0.0 END 50.0 DENSITY 1.0 COLOR 1.0 1.0 1.0
Spheres are the simplest object supported by RAY and they are also the
fastest object to render. Spheres are defined as one would expect, with
RAD (radius), and a texture. The texture may be
defined along with the object as discussed earlier, or it may be
declared and assigned a name. Here’s a sphere definition using a
previously defined “NitrogenAtom” texture:
SPHERE CENTER 26.4 27.4 -2.4 RAD 1.0 NitrogenAtom
A sphere with an inline texture definition is declared like this:
Sphere center 1.0 0.0 10.0 Rad 1.0 Texture Ambient 0.2 Diffuse 0.8 Specular 0.0 Opacity 1.0 Color 1.0 0.0 0.5 TexFunc 0
Notice that in this example I used mixed case for the keywords, this is allowable… Review the section on textures if the texture definitions are confusing.
Triangles are also fairly simple objects, constructed by listing the
three vertices of the triangle, and its texture. The order of the
vertices isn’t important, the triangle object is “double sided”, so the
surface normal is always pointing back in the direction of the incident
ray. The triangle vertices are listed as
one is an X, Y, Z coordinate. An example of a triangle is shown below:
TRI V0 0.0 -4.0 12.0 V1 4.0 -4.0 8.0 V2 -4.0 -4.0 8.0 TEXTURE AMBIENT 0.1 DIFFUSE 0.2 SPECULAR 0.7 OPACITY 1.0 COLOR 1.0 1.0 1.0 TEXFUNC 0
Smoothed triangles are just like regular triangles, except that the surface normal for each of the three vertices is used to determine the surface normal across the triangle by linear interpolation. Smoothed triangles yield curved looking objects and have nice reflections.
STRI V0 1.4 0.0 2.4 V1 1.35 -0.37 2.4 V2 1.36 -0.32 2.45 N0 -0.9 -0.0 -0.4 N1 -0.8 0.23 -0.4 N2 -0.9 0.27 -0.15 TEXTURE AMBIENT 0.1 DIFFUSE 0.2 SPECULAR 0.7 OPACITY 1.0 COLOR 1.0 1.0 1.0 TEXFUNC 0
Useful for things like desert floors, backgrounds, skies etc, the
infinite plane is pretty easy to use. An infinite plane only consists of
two pieces of information, the
CENTER of the plane, and a
to the plane. The center of the plane is just any point on the plane
such that the point combined with the surface normal define the equation
for the plane. As with triangles, planes are double sided. Here is an
example of an infinite plane:
PLANE CENTER 0.0 -5.0 0.0 NORMAL 0.0 1.0 0.0 TEXTURE AMBIENT 0.1 DIFFUSE 0.9 SPECULAR 0.0 OPACITY 1.0 COLOR 1.0 1.0 1.0 TEXFUNC 1 CENTER 0.0 -5.0 0.0 ROTATE 0. 0.0 0.0 SCALE 1.0 1.0 1.0
Rings are a simple object, they are really a not-so-infinite plane. Rings are simply an infinite plane cut into a washer shaped ring, infinitely thing just like a plane. A ring only requires two more pieces of information than an infinite plane does, an inner and outer radius. Here’s an example of a ring:
Ring Center 1.0 1.0 1.0 Normal 0.0 1.0 0.0 Inner 1.0 Outer 5.0 MyNewRedTexture
Infinite cylinders are quite simple. They are defined by a center, an axis, and a radius. An example of an infinite cylinder is:
Cylinder Center 0.0 0.0 0.0 Axis 0.0 1.0 0.0 Rad 1.0 SomeRandomTexture
Finite cylinders are almost the same as infinite ones, but the center and length of the axis determine the extents of the cylinder. The finite cylinder is also really a shell, it doesn’t have any caps. If you need to close off the ends of the cylinder, use two ring objects, with the inner radius set to 0.0 and the normal set to be the axis of the cylinder. Finite cylinders are built this way to enhance speed.
FCylinder Center 0.0 0.0 0.0 Axis 0.0 9.0 0.0 Rad 1.0 SomeRandomTexture
This defines a finite cylinder with radius 1.0, going from 0.0 0.0 0.0,
to 0.0 9.0 0.0 along the Y axis. The main difference between an infinite
cylinder and a finite cylinder is in the interpretation of the
parameter. In the case of the infinite cylinder, the length of the axis
vector is ignored. In the case of the finite cylinder, the axis
parameter is used to determine the length of the overall cylinder.
Axis Aligned Boxes#
Axis aligned boxes are fast, but of limited usefulness. As such, I’m not
going to waste much time explaining ’em. An axis aligned box is defined
MIN point, and a
MAX point. The volume between the min and
max points is the box. Here’s a simple box:
BOX MIN -1.0 -1.0 -1.0 MAX 1.0 1.0 1.0 Boxtexture1
Currently fractal landscapes are a built-in function. In the near future I’ll allow the user to load an image map for use as a heightfield. Fractal landscapes are currently forced to be axis aligned. Any suggestion on how to make them more appealing to users is welcome. A fractal landscape is defined by its “resolution” which is the number of grid points along each axis, and by its scale and center. The “scale” is how large the landscape is along the X, and Y axes in world coordinates. Here’s a simple landscape:
SCAPE RES 30 30 SCALE 80.0 80.0 CENTER 0.0 -4.0 20.0 TEXTURE AMBIENT 0.1 DIFFUSE 0.9 SPECULAR 0.0 OPACITY 1.0 COLOR 1.0 1.0 1.0 TEXFUNC 0
The landscape shown above generates a square landscape made of 1,800 triangles. When time permits, the heightfield code will be rewritten to be more general and to increase rendering speed.
Arbitrary Quadric Surfaces#
Docs soon. I need to add these into the parser, must have forgotten before ;-)
Volume Rendered Scalar Voxels#
These are a little trickier than the average object :-) These are likely to change substantially in the very near future so I’m not going to get too detailed yet. A volume rendered data set is described by its axis aligned bounding box, and its resolution along each axis. The final parameter is the voxel data file. If you are seriously interested in messing with these, get hold of me and I’ll give you more info. Here’s a quick example:
SCALARVOL MIN -1.0 -1.0 -0.4 MAX 1.0 1.0 0.4 DIM 256 256 100 FILE /cfs/johns/vol/engine.256x256x110 TEXTURE AMBIENT 1.0 DIFFUSE 0.0 SPECULAR 0.0 OPACITY 8.1 COLOR 1.0 1.0 1.0 TEXFUNC 0
Texture and Color#
Simple Texture Characteristics#
The surface textures applied to an object drastically alter its overall appearance, making textures and color one of the most important topics in this manual. As with many other renderers, textures can be declared and associated with a name so that they may be used over and over again in a scene definition with less typing. If a texture is only need once, or it is unique to a particular object in the scene, then it may be declared along with the object it is applied to, and does not need a name.
The simplest texture definition is a solid color with no image mapping
or procedural texture mapping. A solid color texture is defined by the
AMBIENT parameter defines the ambient lighting
coefficient to be used when shading the object. Similarly, the
DIFFUSE parameter is the relative contribution of the diffuse
shading to the surface appearance. The
SPECULAR parameter is the
contribution from perfectly reflected rays, as if on a mirrored surface.
OPACITY defines how transparent a surface is. An
of 0.0 renders the object completely invisible. An
OPACITY value of
1.0 makes the object completely solid, and non-transmissive. In general,
the values for the ambient, diffuse, and specular parameters should add
up to 1.0, if they don’t then pixels may be over or underexposed quite
easily. These parameters function in a manner similar to that of other
ray tracers. The
COLOR parameter is an RGB triple with each value
ranging from 0.0 to 1.0 inclusive. If the RGB values stray from 0.0 to
1.0, results are undefined. In the case of solid textures, a final
TEXFUNC is set to zero (integer).
Texture Declaration and Aliasing#
To define a simple texture for use on several objects in a scene, the
TEXDEF keyword is used. The
TEXDEF keyword is followed by a case
sensitive texture name, which will subsequently be used while defining
objects. If many objects in a scene use the same texture through texture
definition, a significant amount of memory may be saved since only one
copy of the texture is present in memory, and its shared by all of the
objects. Here is an example of a solid texture definition:
TEXDEF MyNewRedTexture AMBIENT 0.1 DIFFUSE 0.9 SPECULAR 0.0 OPACITY 1.0 COLOR 1.0 0.0 0.0 TEXFUNC 0
When this texture is used in an object definition, it is referenced only by name. Be careful not to use one of the other keywords as a defined texture, this will probably cause the parser to explode, as I don’t check for use of keywords as texture names.
When a texture is declared within an object definition, it appears in an
identical format to the
TEXDEF declaration, but the
keyword is used instead of
TEXDEF. If it is useful to have several
names for the same texture (when you are too lazy to actually finish
defining different variations of a wood texture for example, and just
want to be approximately correct for example) aliases can be constructed
TEXALIAS keyword, along with the alias name, and the
original name. An example of a texture alias is:
TEXALIAS MyNewestRedTexture MyNewRedTexture
This line would alias MyNewestRedTexture to be the same thing as the previously declared MyNewRedTexture. Note that the source texture must be declared before any aliases that use it.
Image Maps and Procedural Textures#
Image maps and procedural textures very useful in making realistic looking scenes. A good image map can do as much for the realism of a wooden table as any amount of sophisticated geometry or lighting. Image maps are made by wrapping an image on to an object in one of three ways, a spherical map, a cylindrical map, and a planar map. Procedural textures are used in a way similar to the image maps, but they are on the fly and do not use much memory compared to the image maps. The main disadvantage of the procedural maps is that they must be hard-coded into RAY when it is compiled.
The syntax used for all texture maps is fairly simple to learn. The biggest problem with the way that the parser is written now is that the different mappings are selected by an integer, which is not very user friendly. I expect to rewrite this section of the parser sometime in the near future to alleviate this problem. When I rewrite the parser, I may also end up altering the parameters that are used to describe a texture map, and some of them may become optional rather than required.
Texture Mapping Functions
Value for TEXFUNC
Mapping and Texture Description
No special texture, plain shading
3D checkerboard function, like a Rubik’s cube
Grit Texture, randomized surface color
3D marble texture, uses object’s base color
3D wood texture, light and dark brown, not very good yet
3D gradient noise function (can’t remember what it look like
Cylindrical Image Map, requires ppm filename
Spherical Image Map, requires ppm filename
Planar Image Map, requires ppm filename
Here’s an example of a sphere, with a spherical image map applied to its surface:
SPHERE CENTER 2.0 0.0 5.0 RAD 2.0 TEXTURE AMBIENT 0.4 DIFFUSE 0.8 SPECULAR 0.0 OPACITY 1.0 COLOR 1.0 1.0 1.0 TEXFUNC 7 /cfs/johns/imaps/fire644.ppm CENTER 2.0 0.0 5.0 ROTATE 0.0 0.0 0.0 SCALE 2.0 -2.0 1.0
Basically, the image maps require the center, rotate and scale parameters so that you can position the image map on the object properly.
- class sage.interfaces.tachyon.TachyonRT#
The Tachyon Ray Tracer
tachyon_rt(model, outfile='sage.png', verbose=1, block=True, extra_opts='')
model- a string that describes a 3d model in the Tachyon modeling format. Type
sage.interfaces.tachyon?for a description of this format.
outfile- (default: ‘sage.png’) output filename; the extension of the filename determines the type. Supported types include:
tga- 24-bit (uncompressed)
bmp- 24-bit Windows BMP (uncompressed)
ppm- 24-bit PPM (uncompressed)
rgb- 24-bit SGI RGB (uncompressed)
png- 24-bit PNG (compressed, lossless)
verbose- integer; (default: 1)
1- some output
2- very verbose output
block- bool (default: True); if False, run the rendering command in the background.
extra_opts- passed directly to tachyon command line. Use tachyon_rt.usage() to see some of the possibilities.
Some text may be displayed onscreen.
The file outfile is created.
- __call__(model, outfile='sage.png', verbose=1, extra_opts='')#
This executes the tachyon program, given a scene file input.
model– string. The tachyon model.
outfile– string, default
'sage.png'. The filename to save the model to.
verbose– 0, 1, (default) or 2. The verbosity level.
extra_opts– string (default: empty string). Extra options that will be appended to the tachyon commandline.
sage: from sage.interfaces.tachyon import TachyonRT sage: tgen = Tachyon() sage: tgen.texture('t1') sage: tgen.sphere((0,0,0),1,'t1') sage: tgen.str()[30:40] 'resolution' sage: t = TachyonRT() sage: import os sage: t(tgen.str(), outfile=os.devnull) tachyon ... Tachyon Parallel/Multiprocessor Ray Tracer...
Deprecated: type ‘sage.interfaces.tachyon?’ for help
Returns the basic description of using the Tachyon raytracer (simply what is returned by running tachyon with no input). The output is paged unless use_pager=False.
Returns the version of the Tachyon raytracer being used.